Edge Of Color
Goethe’s observations were made in his garden, in the moonlight, and by candlelight rather than in laboratory settings. In his color charts, Goethe refers to the magenta region of the spectrum as “peach blossom.”
The “Edge of Color” flags are derived from the test cards that Goethe produced in order to demonstrate edge color phenomena to friends and colleagues. For Goethe, color could not be separated from the environment. Goethe’s Theory of Color is really a theory of perception, qualia, or “raw feels”.
These flags as color-test-cards demonstrate edge-colors that radiate from boundaries between light and dark shapes when viewed through a prism in daylight.
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Sarah Rara’s multi-disciplinary practice— including video, sound, performance, and writing— explores the position of witness within fragile systems. Their work in sound and moving image considers gender, queerness, technology, disability, and illness, in connection with environmental research. Regarding the environment as relational and invested with notions of identity, Sarah Rara’s work considers the socio-political and personal dimensions of sensing technologies. They are a primary organizer of the ongoing project lucky dragons. Their work, solo and in collaboration, has been presented at such institutions as the Whitney Museum of American Art (as part of the 2008 Whitney Biennial), the Hammer Museum, the Centre Georges Pompidou, Walker Art Center in Minneapolis, London’s Institute for Contemporary Art, PS1 in New York, REDCAT and Human Resources in Los Angeles, MOCA Los Angeles, the 54th Venice Biennale, Documenta 14 in Athens, and the Smithsonian’s Hirshhorn Museum and Sculpture Garden, among others. Rara is a 2018 recipient of the LACMA Art + Technology fellowship and current artist-in-residence at Bangkok 1899, Bangkok, Thailand. Rara is Assistant Professor of Moving Image at Williams College.
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